In horror movie-land sequels are pretty much a par for the course. You make a good horror film, it seems it only makes sense to go back and milk the idea a second time. In the world of horror books (note - not dark fantasy or paranormal romance, I mean HORROR) this has been less common. I'm not saying they don't exist - Graham Masterton's Manitou and James Herbert's Rats both started series - and sure you get books set in a repeated environs - take Gary Braunbeck's Cedar Hill short stories and novels, and Stephen King's version of Maine. But straight sequels, picking up the action from the end of the prior book or soon after, haven't filled the shelves in bookstores. I guess part of the reason for this is the rather final end that most horror books have. Zombies are destroyed, vampires staked, demons exorcised, witches burned etc, etc. Okay, Dracula can be resurrected over and over but mostly you get to the end and that's it. Recently though this seems ...
Although best known for his travel books this is far from Bryson's first venture into other fields. He has written the obligatory (for a writer) book of personal memoirs ("The Life and Time of the Thunderbolt Kid"), a book or two on the English language ("Bryson's Dictionary of Troublesome Words") and even one on the sum total of human knowledge ("A Short History of Nearly Everything"). And now he has turned his hand to biography with this book on the greatest of all authors. This feels remarkably well researched - despite being such a short book he lists three and a half pages of selected bibliography. This amount of available research material does not mean, however, that much is actually known about Shakespeare life - far from it. Bryson even makes fun of this fact throughout the book. The book explains the few known facts of Shakespeare's life and how they are known - his birth (or rather his baptism, the exact date of his birth being infe...
I had absolutely no idea what this film would be like when I popped it into the DVD player. I'd never heard of it before I saw it on the shelf in the video store. I find that's often the best way. I've seen far too many films with pre-conceptions they just didn't live up to. Long Distance centres on a young woman called Nicole who one night dials a wrong number. Sounds innocent and safe enough, except the man that answers calls her back repeatedly. The following day she finds out he was calling from the house of a woman he'd just murdered. And now it seems she's the target of a killer's obsession. This is not a bad film at all. It manages to build a pretty decent level of suspense. Decent plotting, good direction and fair acting. But it does rather have a telegraphed ending. I'd imagine they were going for a serious twist here, one that might grip the viewer. The only problem I had was this "twist" was pretty obvious - which meant the ending wa...
Comments